There are days it feels like I’m living from screen to screen. I answer several messages on your phone, check Instagram, hop to my laptop to clean up a few slides. Before I know it I’ve spent half my waking life absorbed in variously-lit pixels.
Butch Dalisay showed a class of young advertising people a 500 year-old book and a first generation iPhone that still worked. They seemed a little more awed by the iPhone. Perhaps because they expect specialized hardware to become obsolete faster than the printed page.
Money plays into this fear, with the idea that you should only invest expensive materials in to a piece of work that will turn out to be a worthwhile investment, and as mere students we think: Why bother?
I wonder if it is for many of the same reasons mentioned in this article that cheap wins the day for many established authors. Also, as this article alludes, many famous artists such a Leonardo da Vinci rarely used new canvases for their most famous works. Instead, they often painted over existing work they weren’t satisfied with.
Some things to think about If you are having trouble with the fear of starting. Try grabbing a cheap ballpoint and half-used spiral bound notebook you have laying about and just make a mess. You may be surprised on how well it works.
Sometimes an idea is bubbling. A plan, a product, a solution, a breakthrough. You need somewhere to articulate and develop that seed of an idea. That’s when you grab the back of an envelope from the small stack on the corner of your desk.
Our friend in the UK, the incomparable Nicholas Bate, would like us to consider the back of the envelope as an essential tool.
In January, after the breaking-newsiest year in recent memory, I decided to travel back in time. I turned off my digital news notifications, unplugged from Twitter and other social networks, and subscribed to home delivery of three print newspapers — The Times, The Wall Street Journal and my local paper, The San Francisco Chronicle — plus a weekly newsmagazine, The Economist.
This piece isn’t necessarily a praise of paper so much as it is a praise of slow, deliberate news consumption. But what’s a great way to make consumption (and creation, for that matter) more slow, careful, and deliberate?
Paper.
I read paper books almost exclusively. I read most of my news online, but every week I settle in with a print copy of the New Yorker, and I love to pick up a print copy of the New York Times when I’m at my local coffee shop. And, interesting tidbit: for the magazine of which I’m managing editor, print subscriptions outnumber digital about three to one.
The note in the bottle, which was dated 12 June 1886, was jettisoned from the German ship Paula, as part of an experiment into ocean and shipping routes by the German Naval Observatory.
If you want to send a message that lasts, use paper.
The survival of this list is remarkable, too. Only around 600 of Michelangelo’s sketches still exist. 1518 marked the year that Michelangelo burned many of his early drawings, and 46 years later, he ordered many of his papers to be torched in anticipation of his death.
In case you were looking for some notebook inspiration today.
“I am a writer, and I do most of my writing on a computer like most writers do nowadays, and that’s not very exciting. Everyone has their favorite computers. But I also do a surprising amount of writing by hand, and I have my own favorite cheap notebooks. I use a couple of the models from a company called National Brand, and basically there’s this legal supply store here in Portland, and I go down there and I stock up on these notebooks. They’re a little more expensive than Mead spiral notebooks, but they’re also a heavier quality paper. And then I buy Dixon Ticonderoga pencil and BIC Cristal ballpoint pens. I buy them by the case from Amazon. … So those are kind of unsexy tools, but they’re very much tools that I use every day.”
J.D. Roth sings the praises of cheap in a recent Cool Tools podcast.