Two Alternatives To Field Notes

I love Field Notes Brand notebooks. I’ve been a customer since the beginning. In general, I purchace several packs of each "special edition" COLORS release. I find them both fun and functional. They’re built solidly enough and they break in well. Whereby, I tend to enjoy the patina they get and think they look even better when they are beat up and used a bit. As well, they have become very popular and enjoy an almost cult like following in the pen and paper circles.

But, sometimes, one might want to enjoy something similar, but different. For one reason or another — perhaps something in a different size or price point. So, I thought I would suggest two possible alternatives. One that is a little bit smaller in size, yet higher paper quality and cost. The other a bit larger in size, yet slightly less in paper quality and cost.

The first of these is the Backpocket Journal from Curnow Bookbinding and Leatherwork. These are about a half inch smaller in height than a Field Notes notebook but in a similar style. The hallmark feature, though, is the paper inside — Tomoe River. For those not in the know, Tomoe Rover is considered the creme de la creme of paper these days. Especially among the fountain pen crowd. Tomoe Paper is thin yet has no bleed through or feathering. Also, because of its lack of thickness one can fit a surprising number of pages into a notebook and still stay pretty thin overall. Really lovely stuff.

The Backpocket Journal has more of a handmade feel than Field Notes. The cut is very slightly imperfect and it is bound with a single piece of waxed thread. The cover is not quite as thick as Field Notes but feels more a bit more sturdy somehow. The pages inside are blank — and this is the only option — but, conveniently, Curnow includes a lined backing card to place behind the page you are writing on to help you keep things straight. It’s a nice touch.

I should take some time out here to mention the ordering process as it is unusual. Curnow does not have an online store to order their products from. The transaction is handled through a combination of Facebook page, email, and PayPal. First, one goes to their Facebook page to check availability. Next, one sends an email to the company saying what they wish to order. Then, they reply by email with instructions for completing the order from there. It’s all very unusual but what can you do.

At $12.95 for a three pack, these are slightly more expensive than Field Notes. But, the paper quality certainly warrants the added expense.

As a side note, if you are looking for a nice leather cover that fits the Backpocket Journal perfectly, the passport size of the Midori Traveler’s Notebook is great. I have a nice leather cover that I use with my Field Notes, but the Backpocket Journals are too small for it. So, the Midori cover was a welcome discovery.

On the other side of the coin is the MUJI A6 line of Recycled Paper Notebooks. These are slightly larger than Field Notes — about a half inch wider and a quarter inch taller. Yet, they are about the same thickness and still quite "back pocketable". Similar to Field Notes, you get a nice, sturdy, craft paper cover. These also are available in your choice of lined, gridded, or blank pages. But, from there, the similarities depart.

These are fully thread-sewn bound. Which, unlike the staples used in Field Notes, are less likely for the pages to become unattached from the cover over time and use. Also, the binding is nicely protected on the outside by a contrasting strip of tape. Thus, giving these a more long lasting feel.

Though the paper is recycled it is not horrible to write on. It does have a small bit of tooth but it takes fountain pen well enough with little discernible feathering. In fact, I wrote the initial draft of this review in the MUJI using a Pilot Metropolitan with a fine nib. The pages are thick enough that there was no bleed through. This, despite the fact that from a paper quality standpoint I would rate it slightly less than a standard Field Notes.

But, another big factor here is the price. These are sold individually at only $1.25 a piece. So, basically, $3.75 for three versus $9.95 for three Field Notes. Sure, these don’t have the same "geek cred", fun special editions, or witty usage suggestions on the back cover. That said, they more than get the job done and I would argue are more durable in daily use.

To wrap up, both are viable alternatives to Field Notes. I would say it is worth checking out both — especially if you are a regular fountain pen user.

Beyond The Halfway Point: Hobonichi Techo Planner 2014 | The Well-Appointed Desk

Beyond The Halfway Point: Hobonichi Techo Planner 2014 | The Well-Appointed Desk

A few months after I got my Hobonichi planner and cover, I decided I needed to personalize it. The cover was already a distinctly TARDIS blue so the solution seemed obvious. I found some artwork online, resized it in Photoshop. I printed it out, trimmed it to size and then slid the artwork underneath the plastic sleeves. No adhesives were used so the cover was not damaged in my customizing. If I ever feel like removing the TARDIS art, it would just mean removing the plastic covers and pulling the art out. Easy Peasy.

Go for the Hobonichi Techo love, stay for the awesome idea behind her TARDIS cover.

The Best Kind of Paper Pushing | The Productivityist Podcast

The Best Kind of Paper Pushing | The Productivityist Podcast

This week Mike talks about why he still loves and uses paper. He also talks about several paper-based approaches worth exploring, including Ryder Carroll’s Bullet Journal and his own creation, The Strikethrough System.

Another podcast episode well worth your time. Mike Vardy covers a lot of options in a short amount of time. Covers them pretty well, too.

The Pen Addict #121: Strange Ordering Processes – Relay FM

The Pen Addict #121: Strange Ordering Processes – Relay FM

In this episode Brad and Myke are joined by Patrick Rhone of The Cramped to discuss his website launch, and the paper products he is most passionate about. They also break down the new Field Notes Unexposed edition and catch up on their world travels.

I had such a great time doing this. Gosh, I really missed these guys.

Clipboards

Clipboards | Austin Kleon

This is one of my favorite themes: it’s not that I have a need and then I seek out the right tool for it, but most of the time, having a tool lying around (like a row of clipboards) will inspire me to find some use for it.

I feel similarly about blank notebooks.

Theres No Place Like Here: Brazenhead Books on Vimeo

There’s No Place Like Here: Brazenhead Books from Etsy on Vimeo.

via Swiss Miss.

Ode to a Table | Jason Santa Maria

Ode to a Table | Jason Santa Maria

We have guests over for a meal most every week, and every week we’d gather around that table. Sometimes the gatherings are jovial events that stretch long into the night. Sometimes they are somber times shared over quiet dinners. Amid broken glasses, spilled drinks, dirt, and countless food items, that stubborn table has stood strong.

Not to do with pens, pencils, paper, or writing. But, it’s a wonderful appreciation of a thing made by hand. Something we believe in.

Move Over, Technical Practices: Let’s Get Back to Basics – UpEndian

Move Over, Technical Practices: Let's Get Back to Basics – UpEndian

Note-taking isn’t a fine art. It doesn’t require years of practice – just the diligence to pay attention to what’s important and write it down. Our notes needn’t be elegant or fit for framing (more on that in a minute) but they ought to be clear and thorough.

Field Notes Colors: Unexposed Edition

Field Notes Colors: Unexposed Edition

Here’s what we can tell you: each “Unexposed” pack features three 5.5-inch x 3.5-inch 48-page memo books in an opaque black sleeve. The interior paper features our “reticle graph,” last seen in the “Night Sky” Edition from Summer 2013.

Beautiful, mysterious, and fun. What’s not to like here?

The Virotyp — Remembrance of a Forgotten Typewriter

by David Mendels

Dont leave on a trip or vacation without putting in your pocket the Virotyp, the only typewriter which doesnt necessitate to rest on a surface

With the centennial of World War I comes many commemorations, and some interesting material surfaces to paint a background picture of the period. I have taken a keen interest in newspapers and the famous “100 years ago” articles that have been republished for the past six months: my great grandfather fought two wars and, having come back unharmed from both while being on the front, enforced a strong policy in the family to celebrate both armistices. Like many french families, we never talked too much about the wars at home, though. Yet I remember vividly going through a “treasure trove” at my grandparents’ that contained hundreds of postcards, and be told that those were my great grandfather correspondence from WWI. They were very peculiar. Some only had one word written — “well”. When questioning my grandmother she explained to me that her father would post one card everyday to simply signal his wife he was alive. Sometimes he had time to write more, sometimes exhaustion and war just took the best of him and he simply sent a card so that the chain remained unbroken. Now, like most people from that time, he had a perfect calligraphy, but I have seen other such cards later, found in street fairs, that were typeset. I must confess I never gave much thought about it and assumed those were from office workers. Turns out I was probably wrong: a portable typewriter was sold at that time.

The ad pictured above is for the “Virotyp”, the portable typewriter that you can use on a horse back (as I discovered in a later ad). I find it a fascinating instrument. It could be operated singlehanded and, contrary to earlier models[1] had a mechanism to advance the paper automatically when a letter was entered. Typing a letter was not really practical: you had to select it from a rotary dial and press the dial support to punch the letter, while inking was provided by means of a rubber band. The punch was made through a stamp that was carved in brass, like all mechanical typewriters of that time: I am not sure if they industrialized the manufacturing to use a lost wax process or just cut each letter on a one-by-one basis. There was also a mechanism, a miniature lever, to advance to a new line. The first version had a limit in the size of paper it could take, but two subsequent versions — including a tabletop one — removed that limit and allowed for a full A4 sheet to be used. At that time the ad must have changed, though I cannot source it: the original claimed to be “the only typewriter that doesn’t need to be rested against something”. This typewriter proved to be a hit during the war, I am not sure what happened to the product after, or to its creator, Mr Viry. I can’t think of a “user interface” more impractical than a rotary dial for entering text. Can you remember the jokes going around before the iPhone was presented? I do. Some pundits seriously supposed that an Apple phone would be a glorified iPod, with its click wheel, and limited communication capability as a result. Yet, as impractical as it was, the Virotyp fulfilled its goal: to enable its user to write with limited finger motility. Mark that one down as the first handheld communicator? Given the knowledge and production methods of the time, it is a device that makes complete sense, and is functionally complete.

One of the most interesting courses I attended in engineering school was industrial design. Parts of it were cumbersome, we didn’t have CAD software until I was undertaking my PhD, parts of it were truly amazing. In particular, I loved design functional analysis and reverse engineering. We were taught to read a technical drawing and criticize it. The emphasis was always: how does this work? We did dismantle a few pieces, and study a lot of drawings. The course proceeded as a drawing projected on a white board and one would come to analyze it. If you were lucky, you would pick something like a Pascal calculator, if not an automatic gearbox (I picked the latter). We did discuss at length miniaturization in some cases (the calculator was a perfect example of an analog mechanical device), but never came to this example. I wish we did. There are only a few of these Virotyp left, and they go quickly on eBay for an insane price whenever a functioning one comes up[2]. I wish I could get one and reverse engineer it, it is a very clever (and beautiful) device.

For further information, there is a gallery of pictures at the Typewriter Museum, and because the internet is great, you can also see one in action, sort of, on YouTube.

One last remark: it is amazing to see that this ad appeared during the summer 1914, and as all the others I have seen, nothing seemed to indicate that the war was coming. It was just the right device at the right time for the wrong reasons.

David Mendels is a Professor of mobile, micro and nanotechnology at Surya University in Jakarta (Indonesia). He developed the DashPlus app (based on Patrick Rhone’s paper-based system), and recently co-founded IanXen. The goal is to eradicate malaria with the help of a novel, automated, diagnostic on iPhone. He usually blogs on Attila’s Den.


  1. The earliest pocket typewriter I know off was British, and dates from 1887. While it is admittedly cute it was nothing like the Virotyp, as the paper had to be moved manually between punching consecutive letters, see the gallery here ?
  2. I came close to getting a Remington 7 a few years ago, to be outbid at the last minute. Enraging. I have never been able to bid on a Virotyp though. ?