But it suddenly hit me that, if my grandchildren can’t write in cursive, will they also be unable to read it? Will they never be able to read the notes written by their grandparents, or even by me? Will the stash of WWII letters my parents wrote to each other will be gibberish to them? If they do original research that involves pre-21st century documents, will they need an interpreter for the handwritten ones?
The loss of cursive knowledge is a serious problem I feel. While my six-year-old daughter is familiar with it, and it was part of her learning in the Montessori pre-school she attended, it will likely be a distant memory to her in short time. For me, I have not written in cursive with any regularity since elementary school (30+ years) when it was required. That said, this short article has given me pause to make sure that my daughter can, at least, read cursive. If for no other reason than it may be a lost skill that few others have.
When I need to read deeply—when I want to lose myself in a story or an intellectual journey, when focus and comprehension are paramount—I still turn to paper. Something just feels fundamentally richer about reading on it. And researchers are starting to think there’s something to this feeling.
Yep. I find this to be true for myself as well. What is interesting, and what the writer mentions and researcher corroborate in this story, is that I find I can read things that take less immersion either on screen or on paper. When deep engagement is required, it has to be paper for me.
Later in the piece he writes:
Maybe it’s time to start thinking of paper and screens another way: not as an old technology and its inevitable replacement, but as different and complementary interfaces, each stimulating particular modes of thinking.
This Royal typewriter belonged to my grandfather. He learned to type on it 70 years ago. I wonder if he had to hunt and peck at the keys as I do now.
It is an interesting device. Fascinating and interesting and frustrating and wonderful, all in its own ways. How often do writers today pine for a distraction-free writing tool, one which gives you nothing but your thoughts, a blank page, and the means to put your words onto that page. This typewriter is the very embodiment of what so many wish for today.
An oldie but goodie from Shawn. It is often true that what many of us look for in our modern devices is a recreation of what we had long before them.
When it came to choosing a notebook to use for drafting my next book, the last thing I knew I wanted was “fancy”. I didn’t want anything that made me self-conscious about doing the work or feeling OK with making a mess. I wanted something utilitarian, functional, and with enough room to stretch my ideas. I also guessed I might need more than one — so it had to be something I already had a few of on hand.
I settled on a spiral bound notebook that I received for free. I have several, in fact. It’s a branded promotional notebook from my friends at Clockwork — a local interactive agency. These were handed out at just about every tech related conference here in town for a couple of years. So, I always picked one up if I saw them and put it into my (large) pile of unused notebooks. I always appreciated the design. Each page has boxes in the header and footer for metadata. They are grid-ruled — a nice subtle dashed grid on recycled paper. A lot of pages too! In other words, I always liked them but did not have a use for them… Until now!
Most times, you don’t need a fancy notebook or perfect pen. You just need to get started. Just find something — anything you can live with — and get to work. The perfect notebook — the perfect anything — is always what is right for you and the task at hand.
If anything, the goal of this site is to help you find that and, then, to encourage you to stick with it.
This post was first drafted in the generic promotional notebook written about above using a Uniball Signo 207 Micro with black ink. A scan of the draft is available for download (PDF).
I picked up the Baron Fig Confidant notebook after following their progress on Kickstarter. It looked interesting enough at the time, but not so much that I couldn’t wait until they were made available to the general public. That said, I was intrigued enough that I ordered one as soon as they were.
I do have to say that they have put a lot of thought and effort into every aspect of it’s presentation. The website is beautifully designed. It features their Idea Series of video profiles of people using the notebooks from many creative walks of life — musicians, dancers, builders, etc. The story behind the product is told very well.
The notebook (I ordered the blank style) comes in a sturdy box that makes for a dramatic reveal. The notebook itself is cloth-bound in a pleasing grey fabric with a yellow cloth bookmark ribbon. It looks nice — but not too nice. If I had to pick a single word to describe it overall I would say it is “approachable”.
At $15.95, these are not inexpensive notebooks. But, it is the myriad of thoughtful details that I think ticks up the value equation. The 192 pages of thick paper that takes most pens, inks, and markers well. The 12 perforated pages in the back, in case one needs to share a note. Even the dimensions are different than many others. In fact, it is exactly the same height and width of an iPad mini (I’ve been told this was not a mistake). This gives it a bit more breathing room than, say, a large Moleskine — the buyers of which is the crowd this seems most targeted to.
Over all, I think they did a great job with this. It is certainly a notebook I could see myself using on a daily basis. Especially for the notes and writing I care about taking a bit more care to preserve. It is certainly not cheap but notebooks of this quality generally aren’t.
I would recommend this to anyone who is in the market and I look forward to seeing how The Confidant stands up to regular use.
This post was first drafted in The Baron Fig Confidant Notebook using a Kaweco Sport fountain pen with an EF nib and a Kaweco black ink cartridge. A scan of the draft is available for download (PDF).
A good pen. Actually, consider two. One good one that you can enjoy using every day. And, one really good one that you use for special occasions. Like signing a bonus check, birthday card, or writing a letter to an old friend. I have far too many in both categories so I won’t recommend a specific one here. I will say that I keep a Uniball Signo 207 Micro on me at nearly all times. It’s a good pen that is inexpensive that I don’t mind losing and replacing.
I was recently invited to contribute to Mike Dariano’s Three Things To Read, Watch, and Use series at 27goodthings.com. The quote above is appropriate for here.
This official sketchnote t-shirt design features the four icons from my Sketchnote Handbook & Workbook covers: Hear, See, Think and Draw in bright aqua and white ink over a black tri-blend shirt. If you’re a sketchnoter or just play one on TV, this is the t-shirt for you.
Welcome. I’m glad you found your way here. If you are the sort of person who appreciates nice paper, a decent pen, a well-crafted notebook, a solid pencil, writing and receiving handwritten correspondence, beautiful handwriting, or the clicky-clack of a dependable typewriter, you have come to the right place. The Cramped is a site dedicated to the pleasures of writing with analog tools (the name is purposefully ironic).
My name is Patrick Rhone and I have been writing all of my life. I like technology as much as any modern citizen, but none gives me the pleasure that writing by hand — using pen and paper — does. I have long preferred to journal by hand, take notes by hand, and am currently writing my first book entirely by hand. This grows out of a life long love of nice pens, good paper, solid typewriters, and an appreciation of analog writing and publishing tools of all sorts.
This is also an area where my normal goals of minimalism and simplicity in my life completely break down. I have more pens then I could ever use in my lifetime. My stack of brand-new notebooks reaches over two feet high — and I can’t seem to resist buying more. This is all to say that this site, at the least, will provide much needed justification to my addictions. Because, then I can buy new notebooks or pens or paper or ink “for the site”. I can tell my wife that my readers demand it!
I will have other semi-regular contributors as well. The first of these is Harry C. Marks. A writer who not only appreciates such tools as much as I, but has also written a book or two on his late ’50s Smith-Corona Sterling typewriter (of which I am most jealous).
The typeface used in the header is Mike Rohde’s Sketchnote Typeface and may be purchased at Delve Fonts. A special thanks to Mike and Delve for their support and blessing.
There will be some other goodies coming soon as well. A podcast is in the works. And, I’m working to line up some giveaways and exclusive specials for our readers. In all, I hope to pour some time into this and make this site a primary project for my endless interest in this area.
If you have any questions, requests, ideas, or other concerns email always works at firstname.lastname@example.org, of course you can follow The Cramped on Twitter, or, true to the spirit of this site, feel free to send me handwritten correspondence and I will respond in kind:
627 Ashland Avenue
Saint Paul, MN 55104